Beloved by her family and raised in a quiet community, 16-year-old Hope finds herself in danger when a new friend is not who he claims to be… Ripped from all she knows and forced into sex trafficking, Hope is stripped of her identity and threatened into submission, surviving years of abuse. Hope finally finds freedom and reunites with the family that never gave up looking for her. Though now safe, she struggles adjusting to her old life as she reconciles with all she’s endured. Hope’s journey is inspired by true stories and powerfully illustrates the courage it takes to find healing after life’s darkest moments.

Kids have questions and Beakman has the answers. Through fast facts and dazzling demonstrations, Beakman takes children on a zany, fast-paced journey through the amazing world of science and nature.

A satirical allegory of contemporary South Korean politics, the film follows the exploits of two convicts who accidentally escape while being transferred to another prison. Before they can turn themselves back into custody, they meet a female outlaw. She persuades the pair of prisoners to rob a bank in Seoul. When their robbery turns into an embarrassing fiasco, the two decide to flee to the North Korean border.

A bank robber dressed as Santa Claus holds up a bank, a child disillusioned with Christmas encounters a man in the woods who, also dressed as Santa, claims to have fallen out of his sleigh.

Photofilm about a journalist of a local newspaper who feels his life has come to a standstill, until he discovers a conspiracy of mediocrity...

The arrival of new music teacher makes a big difference for a group of troubled high school students.

The pirate Sandokan, the Bengal tiger and the East India Company's terror, fighting the British Empire and the ondeskefulla James Brooke, rahjan of Sarawak.

The film navigates this aftermath observing the signs of an evacuated civilisation. Marine life is represented in murals and as forms of architectural ornamentation. A dolphin remains still, joyfully stuck in mid air, turned to stone. In contrast to constant life and movement underwater, the other side remains still, quiet, and solid in a concrete-made world. Occasionally, the voices projected from the speakers interrupt these silences to make announcements to visitors. 　　The humans are gone but diverse life forms fill the architectural spaces they left behind. It’s as if amongst this absence the architecture and infrastructure of tourism whispers its own story. The pipes that once supplied aquariums and waterslides now breath notes. The curtains of a once luxurious hotel dance in the ocean rhythm. 　　These spectres of tourism are searched within the process of film production. The filmmakers make audible their casual conversations in which they search for meaning and imagine different lifeforms of the future. It might be relevant that a pandemic was sweeping through our world throughout the film’s production. Perhaps the film is a post-apocalyptic projection of their own remembered economic disasters. As a generation that experienced the false promises of progress and freedom, they also look into their own connections with the island of Capaluco: The collapse of the neo-liberal economy in Argentina and failed American dream to a Filipino immigrant.

影片讲了一对疏离父子15年后在伦敦一个咖啡馆再次相见并相互宽宥的故事。